February 17,
2005: It is not for mere etymological kicks that Ronald
Jager opens The Fate of Family Farming by noting that in
Shakespeare’s time ‘to farm’ meant ‘to lease
out’ rather than ‘to work the land’ (what we now
call farmers were then called husbandmen). The disconcerting irony
is that many farmers today—farmers in the peculiar sense that
they manage farms from their dirt-free urban headquarters—are
more properly farming in the 16th-century sense of the word. This
may be good news for the smattering of mega-farmers and their families,
but not for the more modest family farm and the many families whose
livelihood and lifestyle rely on it.
Jager’s investigation into the fate of these threatened yet
survivalist family farms focuses on New England, with an emphasis
on New Hampshire, but it spans history, biography, science, literature,
lore, practical farming and journalism. The writing—at once
eloquent, warm and playful—never sprawls into tangential irrelevance,
and makes for pleasurable and tireless reading, even offering lyrical
turns of phrase (“…new obligations grow like weeds in
farmers’ footprints”). The family farm, Jager suggests,
is not only about putting food on our tables—great as that
mission may be—but also about our national origins, our mythic
character, our political ideals.
Jager devotes the first section of the book to this history: the
farming miseries of the hapless Pilgrims; the farming successes
of the more prepared and competent Dutch settlers; the adoption
of Native American crops like the resilient sweet corn, initially
scorned as the crop of “barbarous Indians which know no better…
more fit for swine than men”; the elevation of farming to
noble calling by American figures like Adams and Jefferson, who
countered European views that farming was a slavish and ignoble
activity (this too, of course, not without its bitter irony, considering
Jefferson’s ownership of slaves). Jager brings us to a cattle
show to hear Emerson rhapsodizing about the American farmer in an
address but does not shield us from the caustic writings of Emerson’s
friend, Thoreau, who pitied that same farmer for what he felt was
a spiritless life of backbreaking drudgery. We also read about the
20th-century's agrarian spokesmen: the novelist-turned-farmer Louis
Bromfield, who preached and practiced healthy agriculture on Malabar
Farm in Ohio; the writer and fruit farmer Victor Hanson, who turns
his Thoreauvian polemics not only upon the corporations that have
come to dominate daily life, but also upon the complacent citizens
who embrace the corporate world even as they resent it; and Wendell
Berry, whose less biting but no less determined vision and zeal
to, in Berry’s words, ‘make scars grow grass’
has startled countless Americans out of their passivity.
On this firm foundation, Jager then describes four specialized
New Hampshire family farms which, respectively, produce maple syrup,
milk, corn and eggs, and apples—all traditional New England
products. He visited the farms repeatedly over several years, and
the thoroughness of his research is evident. It also helps that
he grew up on a family farm. In the chapter on Gould Hill Orchards,
Jager reflects back on how he would harvest apples for sauce as
a child in Michigan, according to a method he still uses: “[S]hake
the tree limbs gently, and then collect and immediately use only
the prime apples of those that fall… [S]hake a little harder,
and the falling apples will include slightly tarter ones to add
summer zing” (p.180).
He peppers the stories of these farms with proverbs (Don’t
tap a tree smaller in diameter than the bucket you put to it), with
curious facts (cows that ingest metal can be fed a magnet pellet
to draw the metal down to the bottom of their stomachs), with etymological
sex-ed lessons (the word ‘rooster’ was brought to life
in 19th century America because its four-lettered synonym had taken
on an impolite connotation), and with intriguing historical practices
that may partly explain why voter turnout is lower now than in the
Republic’s earliest days (for over a hundred years hard cider
was generously passed out on Election Day).
Jager describes the daily operations of the farms he describes:
how maple trees are tapped with tubes, how a milking parlor is organized,
how an egg-gathering machine works, how apple trees are thinned.
But he also shows how today’s agricultural system pushes family
farms to change, especially to get big or get out. Some farmers
don’t hesitate to expand; the Bascom’s Maple Farm, with
its high-tech sugarhouse, lies somewhere between what Jager calls
a factory farm (based on profits and efficiency) and a craft farm
(centered on lifestyle and tradition). Gould Hill Orchards, on the
other hand, is more of a craft farm; the owner, Erick Leadbeater,
refuses to pasteurize his cider, which would compromise its quality,
though it enable to access larger markets.
Whether Jager is musing on imported vine-ripened tomatoes--“all
green as grass”--at the Boston Market, or on the innocent-until-proven-guilty
policy that has quietly admitted genetically modified foods into
our supermarkets, his sympathetic eye is always aimed forward in
an effort, as he says in the preface, to illuminate the family farm's
fate. It is also the fate of our food, our land, our farmers, our
health and our culture. And Jager does illuminate this fate brilliantly,
giving a rich sense of its complexity. Of course ‘fate’
may be the wrong word. Fate implies predestination and, as I presume
Jager would agree, the future of the family farm depends less upon
the gods than upon us.
Constantine Markides lives on Monhegan Island, Maine. He can
be reached at cons76@yahoo.com
|